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shibori textiles by bramble workshop

September 11, 2015











My new line of Shibori textiles is complete and for sale in my etsy shop. There are napkins, tea towels, and tablecloths. I had so much fun art directing this photoshoot and I got to work with a few of my favorite local artists! Photography by Barney & Flow and myself, ceramics by Alexandria Cummings, floral design by Starflower, and delicious baked goods by my intern Ellen Sorensen!

rope basket making at bramble workshop

August 12, 2015


I’ll be teaching a rope basket workshop at Bramble Workshop tomorrow night! A few spots are still available:

wire flowers for an hermès window display

May 21, 2015







interview on ilovecreatives

May 18, 2015

In March I was interviewed for ilovecreatives, a site with event listings, job posts, and profiles of creatives. I’m flattered to be included in that group and really enjoyed answering their questions, so I thought I would post the interview here too!




How did you start Bramble Workshop?
I started Bramble Workshop after years of having a day job as a graphic designer and creating my own art on the side. I realized that I had to find a way to use my skills as an artist full time and that showing in galleries wasn’t the right path for me. I worked briefly at Anthropologie as a window display designer and this taught me the basic skills needed to start Bramble Workshop. My first job (and lucky break) was designing a window for Hermes, after being recommended by a friend. They took a chance on me and that window captured the attention of a creative director in Paris. We have been working together since.

In terms of event decor, my first client was Bash, Please. They hired me to create some key elements for the Cream Event– it was a high profile project and led to other jobs in the Los Angeles wedding and event design world.

Bramble Workshop grew quickly because I was able to tap into a niche market for hand-crafted, one-of-a-kind objects, decorations, and installations. It’s absolutely a dream job and one that challenges my creativity on a daily basis.


Give us a specific example of how you do your job like a BOSS.
My background in sculpture makes me uniquely suited to my job, but I think my real strength is my ability to collaborate with clients. It’s important for me to create something the client really loves, not just to further my artistic vision.


What’s your best advice for someone who wants to get into your field?
When you’re first starting out I think it’s beneficial to say yes to as many projects as possible. If they’re unpaid or low paying, make sure you’ll get photo usage and credit on social media. In my field, the most important thing is the visuals, so having strong work that is beautifully presented is essential.

Of all the skills you use, which one do you wish you could do more often?
In a way, most of my jobs involve the same skill- creating an art installation- but in very different contexts (a store window, an event, an interior). I love the challenges of working in all of these contexts but, as an environmentalist, I would love to do more projects that are permanent.
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What is frustrating you right now?
Moving from Los Angeles to Portland has been a challenge because most of our clients are in LA. I’ve had to define the different ways that we can work with clients nationally and this has been very useful and necessary step. For larger projects in LA, I travel there for installs, but I also have a team there that I can work with from Portland.

There is always a lot of trust and improvisation involved in running your own business, and this move has been a great opportunity for growth, on multiple levels. I’m still figuring out the details, but I’m lucky to be able to live in a city and environment that I love while working both locally and nationally.


What are you putting off right now, but you know you have to get to, but you haven’t had the time?
I desperately need a new logo and the branding that goes with it! Bramble Workshop launched so quickly that I didn’t have time for carefully considered branding. I drew the logo myself and, while it’s adequate, I would love something more elegant and versatile.


If you could hire someone for $20/hour, what would you have them do to make your day easier?
It would be great to have help with bookkeeping, writing and editing blog posts and newsletters, and researching new opportunities for Bramble Workshop. Basically, I just want to be designing and creating as much as possible!


What are all the tools (digital or physical) you use on a regular basis?
I use Photoshop, inDesign (and colored pencils and paper!) for putting together proposals. Braid Creative offers useful tools (worksheets, newsletters) for starting and running a creative business- the coaching I did with them was an integral part of starting Bramble Workshop. For fabrication of projects and for making prototypes I use a wide variety of hand tools and my heavy duty sewing machine.

Some of my favorite sources for materials are Blick for art supplies and paper, Dharma Trading Co for fabric dye, Collage in Portland for craft supplies, Hiromi Paper for Japanese paper, Knot & Rope Supply for rope and string, and the Fabric District in LA for fabric.


If you could talk to an expert to gain more insight on something, what would it be about?
I would love to work with an expert to establish a long term plan and marketing strategy for Bramble Workshop. It’s easy to get wrapped up in day-to-day projects without stepping back and looking at the big picture.


What are you working on right now?
I’m currently working on a window display for the Hermès in DC- it will be installed in April. This is my seventh window design for them and I think it’s one of my favorites. I’m also working on event decor for two high-end events by Caravents. I designed a large scale installation for J Marx Atelier and it was recently installed in a Beverly Hills office space. Also coming up are workshops for West Elm and Tillamook Station in Portland, a DIY collaboration with The House That Lars Built, a window display for Starflower (a florist in Portland), and a collaboration with Hello!Lucky.


What kind of projects are you looking for?
It would be great to find another window display client to work with on a regular basis because it’s great to have a long-term relationship and get to understand the brand. I would also love to create another large-scale permanent installation for a commercial space. And I always enjoy smaller, hand-crafted projects like custom table linens and home decor.


Describe your ideal collaboration.
I dream of someday sharing Bramble Workshop with a partner, because I thrive on collaboration, and hopefully one day I’ll find the right person! I admire the way that my friends Linsey and Crystal of INDO work together and create such amazing, ambitious projects.


How should someone approach you about working with you?
An email is great! Also, depending on the project, visuals like a Pinterest board are helpful so that I can get a sense of what you’re looking for.

papier-mâché cacti for hello!lucky

May 13, 2015

paper mache cacti by bramble workshop

paper mache cacti by bramble workshop

paper mache cacti by bramble workshop

paper mache cacti by bramble workshop

wall installation

paper mache cacti by bramble workshop


we just finished a group of papier-mâché cacti that are currently en route to the National Stationery Show in NYC. they will be part of the display for Hello!Lucky‘s booth at the show. as you can see, we had SO much fun making them! we added tiny details like paper flowers and spikes made from painted toothpicks. each cactus has so much character.

paper flowers for l’oreal in progress

May 12, 2015




my friend celeste of celeste noche photography stopped by to take some photos of me working on paper flowers at tillamook station for a l’oreal display by caravents and i love how they turned out! (yes i picked my shirt to match the flowers) thanks, celeste!

silver feather chandelier

March 20, 2015



Brainstorming some ideas for chandeliers and remembered this one that I made in 2012 for The Cream Event in NYC by Bash, Please. I cut all of the feathers by hand from thin sheet metal.


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